 |
Gripping True Stories from Bruce Frazer - Honestly Speaking
325 combat missions, Around the world, in a telephone booth, Aviation as it used to be, Bucks the establishment, Debunks political correctness, Ejection upside down, Exciting true stories, Forgiveness after combat, Gremlins as co-pilots, Lindbergh and Rutan, Lindbergh's hallucinations, Lindbergh's U turn, Marijuana madness, Puts you in the cockpit, Overcoming obstacles , Tail hook save, Takes on tough topics, The blink that saved the world, Too tired to fly, Turkish pilots, Sleeplessness as an enemy
Honestly-speaking.com ~
Site Info
Whois
Trace Route
RBL Check
|
 |
Daniel Chard | Home
Daniel Chard | chard@rowan.edu | The new paintings extend from the work of the last 25 years, approximately 400 paintings. While there have been tangents along the way, the results always led to a stronger connection with landscape phenomena. “Through-the-window” realism remains apparent, with the viewer in the landscape, the ground plane leading into the landscape from the viewer’s feet. The images show nature in the raw with occasional references to the presence of humankind. The basis for much of the aesthetic is the tight rendering of landscape material and the structuring of two-dimensional and three-dimensional elements. The truth or correctness of the painting space is to be experienced in the phenomena of the completed painting. To some, the paintings may appear realistic or photographic, but they are not; the paintings are fabrications. As in all realist imagery, much of the visual impact results from the tension between the realist expectations of the viewer and the image itself, the variation from what we expect. In the end, the painting presents a phenomenon to the prepared viewer that is in part about the landscape, but mostly about the image as something larger–an aesthetic entity– hopefully tapping into our common experience.
Danielchard.com ~
Site Info
Whois
Trace Route
RBL Check
|
|
|
|
Site Info
